Category Archives: Chubu

Chasing Fuji

Ever since climbing The Spear two weeks ago, I was itching to get back into the mountains. The summer of 2010 was fast approaching its end and I needed another alpine fix. I pored over a few maps, some hiking blogs and my Lonely Planet guidebook to decide on the Minami Alps–specifically, Mt Kita and Mt Aino (kitadake 北岳 and ainodake 間ノ岳 in Japanese). This called for a two night/three day trip. I was surprised to learn that getting there from Osaka would cost more than it would to get to Tokyo, and take much longer. But I was lured by the prospect of some nice shots of Mt Fuji, since Mt Kita and Mt Aino were nearby. I had always suspected the iconic mountain was better served by admiring it from a distance rather than by climbing it–and I was off to test this theory.

On recent excursions I had been using the Canon G11, but I decided this time to call up the Nikon D80, which hadn’t been used in–gulp–a year or so. My excuses were that it was bulky and a pain to lug around. I never liked carrying it while on dodgy trails either, for fear of trashing it in a sudden fall, like that waterfall incident in Bali which not only wrecked an 18-200 VR lens but also ruined the remaining days of my vacation (made worse by R’s upbraiding of ‘I told you so’). Worried that the D80 would be cumbersome and inconvenient to put away every time I took a shot, I found inspiration in I-cjw’s technique of hooking it to the front straps of the backpack where it would be carried by the chest and shoulders and protected under the arm, without needing to unclasp it every time I took a picture.

An early start got me to the city of Kofu an hour before the two-hour bus at noon to Hirogawara, the trailhead for Mt Kita. I knew I wouldn’t have enough light to reach the mountain hut just below the summit. Instead, my target for the day would be the hut/campsite further down, at Shirane-Oike. The hike started at 1500 metres above sea level, and I had 700 metres of elevation to add to that by sunset.

The going was steep but the trees were warm and friendly and a few butterflies escorted me while I trudged up the trail. I noted the empty konnichiwas of exhausted hikers who passed by on their descent, but I was in great spirits because of the refreshing air, the rush of being back in an alpine setting, and the anticipation of chasing Fuji. In addition, I was buoyed by my pleasant train ride to Kofu, which was spent reading Of Human Bondage by Somerset Maugham in between pensive gazes through the window. Maugham had a very calming effect on me–his writing is sharp and inspiring; it cleared my mind of certain distractions and my resolve was fortified–much like the main character in his book, Philip Carey, who was determined to get out of the morass he made for himself after losing everything in the stock market.
Shirane-Oike is a model hut/campsite. At 2,200 metres above sea level, there is more grass than you would expect, and the camping spots are mostly level and fairly spaced out. The hut itself is spectacular, with the cleanest, most modern toilet facilities I have ever seen. The generator was turned off at 8:00 sharp and, after some boisterous campers had finally shut up, it was a peaceful night. A midnight toilet break got me out of my tent to see a beautiful, starry night and the entire area bathed in luscious moonlight. Ah, this was it. I was getting my fix, even before reaching the summit.
I am always amazed at how early Japanese hikers get up: the fellows in a tent near mine left camp at 2:30 am. I joined half a dozen others by breaking camp around four o’clock to start the near vertical climb with the moon as our guide.
It was not long before the sun broke over the ridge behind me.
I marveled how this climb was not as painful as it was to get up Yari. Maybe it was the adrenalin or the awesome views in pristine weather that helped me ignore all my exertions, but before long I was nearing Kitadake-no-koya, the hut/camp 200 metres below the summit. It was then that I spotted the first hint of Fuji behind a ridge and let out a gasp.
At the hut I stopped to prepare a meal and chatted with a few hikers from Tokyo before joining at the peak what seemed like a convention for the proliferation of plaid and thermal socks. Dozens of hikers milled about extolling the scenery and swapping stories. I gaped in astonishment at how there could be so many people who have the lungs to get up this far–3,180 metres above sea level, the second highest mountain in Japan–only to smoke a cigarette and try to ruin it for the rest of us. There were stunning views on all sides. To the north, the peaks of Aka, Kaikoma and Senjo were clearly visible. You could even point out distant Yari and Ontake.
But most attention was on Fuji, in all her glory, standing all alone and backed by a sky streaked with clouds. Collecting myself, I screwed the D80 to a mini tripod, perched this on a flat boulder and started shooting in bursts of three–auto bracketing in anticipation of HDR tweaking once I got back home.
Beyond Mt Kita there is an ‘interesting’ descent down to the col which had the next rest site, Kitadake-Sanso, where I was to stay the night.
I was followed by some new friends–about a dozen elderly women who liked to repeat the same questions: “Where are you from? How long in Japan? Do you like sushi?” My replies evoked too much giggling and high pitched jabbering for me to bear at any altitude, so I made my way to the front of the line in an attempt to escape them. As the distance between us grew and their pace slowed along some tricky parts of the descent, I heard someone in the group shout out to their guide that someone had fallen. I later looked up and saw the guide doing first aid. It reminded me to be cautious but the incident apparently wasn’t serious, as a few hours later, while sitting in my tent with the tent fly open and rummaging through my backpack for lunch, I heard familiar voices. They each called out to me as they passed by. “Oh, it is the foreigner! The one from Canada? Yeah, the one who likes salt water eel…. Oh him! …He’s been here for ten years! …Sugoi!…”
After a brief rest, I left my tent and with a smaller pack followed the ridge to Mt Aino. Along the way I took notice of some interesting mountain flora.
At the summit of Mt Aino I found an elderly man eating from a lunch box with two dozen flies lounging on his back. He waved his hands frantically while cursing the flies that were fighting him for the food. I left him to his battle and retreated thirty metres to have my lunch. I ate peacefully; not a single fly seemed interested in what I was eating. It was coming on to late afternoon and the clouds were thickening when I decided to return to my tent. On the way back I felt dwarfed by Mt Kita as it loomed before me but, utterly pleased with myself for having covered two more Hyakumeizan mountains, I relished that familiar elation of being on top of the world amid gorgeous views and pristine alpine air–all due to my own effort–and with nothing to worry about.

Back at my tent, I was relieved there was no more walking for the day and settled onto some rocks nearby to spend the remaining hours of sunlight reading Maugham.

As it grew darker, the clouds moved in and visibility was near zero. Then, all of a sudden, it cleared, prompting gasps of excitement from other hikers. I looked in the direction they were all pointing and spotted the sun hovering above the distant horizon while orange-tinged clouds danced nearby. Excitedly, I pulled out my camera and started shooting, making sure to take a few dozen snaps so that at least two or three could come close to capturing the moment. It ranks as one of the best sunsets I have ever witnessed.

On the other side of the mountain, Fuji was fading in the twilight.
As stunning as sunset was, sunrise was even better. Since I had pitched the tent on the very top of the ridge leaving it completely exposed–not like the other campers who set their tents beside the hut and below the ridge line–it was a very gusty and cold night. Still, I slept relatively well, waking with a start by my alarm at 4:40 am. I darted outside with my camera. It seemed promising that I would get some decent shots because there was a cloudless, half-lit sky. Since Fuji was to the east, a nice juxtaposition between it and the sunrise was my goal. More stunning views and plenty of shooting during a magnificent sunrise helped me ignore the fact that my hands were numb from the fiercely cold wind.
After breakfast it warmed up and I broke camp at eight o’clock for the descent to Hirogawara and the departure home. My return route was via a col that skirted the Mt Kita buttress and then down to the valley floor along a river.
Again I was reminded that it is far more painful going down a mountain than going up it. This is when everything conspires for the final test of your flirt with a mountain, a tease in which the mountain saves the worst for last: sunburn, fatigue, dehydration, muscle aches, loose rocks, dizzying heights, unrelenting monotony mixed with heart-stopping cringes down ladders and ropes, and the harrowing notion that the knees are sure to buckle at the next downward step, consigning you to certain death a few hundred metres below.
Exhausted, I finally made it back to the trailhead, a few hundred metres from the bus stop. My head was spinning and the knees were surely wrecked. My mouth was parched. Three days of accumulated sweat made me cringe at my own smell. The backpack felt like it was packing a load of bricks. While descending I hardly seemed to notice the scenery below the tree line: there were glistening waterfalls, colourful flowers, gentle brooks and pockets of interesting trees, but I passed them all without much thought and barely managed to take a few snaps; they were obligatory shots that didn’t have my heart in them. All I wanted was to get off the damn mountain. One fall left me with bruises and scratches on my arm and leg, but fortunately only a bit of dirt on the camera.

Within an hour of resting and devouring a large bowl of rice and shredded beef at a nearby hut, I reflected on what I had experienced and thought to myself: “That was awesome; so which mountain is next?”

For information on climbing Mt Kita and Mt Aino, check out Hiking in Japan. For a fascinating account of a winter ascent of Mt Kita (with stunning pictures), see I-cjw‘s Thief in the Fortress.

In the Shadow of the Spear

It is twenty-two kilometres from Kamikochi to the summit of Yari-ga-take. That sounds daunting but more than half the route is along an easy, well-trodden path following the Azusa River upstream. It is not until three or four hours into the hike, when approaching the Karasawa mountain hut–the fourth from Kamikochi, that the path gets steep and rugged. By this point I have barely gained two hundred metres in elevation, and there is another 1475 metres to ascend. The hordes of squealing day trippers are no longer tagging me–you can be sure that from Karasawa hut all those left on the trail and heading north share the same goal: The Spear, a fitting moniker in Japanese for one of the most exciting climbs in the Kita Alps. At 3,180 metres it is the fifth tallest mountain in the country and an engaging setting for a test of the soul.

The approach from Karasawa hut is first through a light forest and then over exposed boulders buttressing Nishi-dake, Mt Yari’s neighbour to the east. At a clearing I rejoin the Azusa and follow the valley floor. Looming on both sides are mountain ridges crowned with wispy, flirtatious clouds. Here and there I spot a distant waterfall halfway up a mountain, and along the path are flowers in purple, yellow and white.

Shortly before a junction where a path on the left leads to Minami-dake, the gentle, meandering trail  merges into a ramp of white rocks. This is the start of a slow, seemingly endless slog where 1000 metres of elevation gain is rammed into the final two and a half kilometres. The Spear is but a mind game from here on. Congratulating oneself for making it this far is somewhat hollow; while you may feel chuffed for being physically able to have hiked close to twenty kilometres, the final, vertical push for that distant pyramid of silver boulders–supporting a 20 kg backpack along exposed rock, year-round snowfields and dizzying heights–is all mental.
Well above the tree line I am grateful for the occasional blast of wind to cool my sweat-drenched shirt. With a slow, steady ascent comes a growing awareness of marvelous views all around, as well as that dawning elation of being in a stunning alpine setting. Soon I am level with the ridges of nearby mountains and the sights of even more mountains and valleys beyond make me gasp. Curving north with half a kilometre to go, the route leads into a devil’s garden of sharp boulders lying at the base of the last ridge 300 metres above, where lies The Spear, seemingly out of place with its surreal, triangular shape planted as if on a whim by a giant with a queer sense of humour.
My legs are screaming when I reach the second mountain hut below the summit. With its name derived from a compound of the Chinese characters for life and death, I think it is aptly named: I barely feel alive, and when I follow the hut manager’s directions to look for the campsite which is supposed to be nearby–only to be greeted by more boulders as I climb into a small plateau–I reckon I will collapse from bewilderment, for there is no place to pitch a tent, it seems. No one else has camped here; all I see is jagged rock. I stand there alone at 3000 metres altitude, exhausted and nearly delirious, under the pounding rays of the sun and with The Spear still looming above me, to make what I can of this sea of boulders. I had noticed a dozen or so hikers along the route ahead of me–while some would pass this hut and spend the night at the hut above (on the ridge below the summit) surely I wasn’t the only sorry soul who had lugged a tent this far. Where were the others? Then I spot the small, level spaces in between the boulders, just big enough for a one man tent. Ah. So I would be the only one here, after all. The other hikers must have pitched further up or are staying overnight in the huts.
By mid afternoon my tent is up and, after a quick snack, I begin the final climb to the summit. What a difference a short rest and some food make–I am still full of energy as I make it to the ridge, pass the last hut and head to the The Spear for the final hundred metres or so. Here is where it gets fun. Iron spikes, chains and ladders bolted into vertical rock guide you to the very top, which is a jagged area measuring about fifteen square metres. Acting as a summit marker is a small wooden shrine, and before you, all around, is the wondrous expanse of the Kita Alps–that is, when the clouds decide not to dart in.
Back at my tent, while the sun descends, I spot masses of long clouds below me, gliding like giant airships through the surrounding valleys. A magical twilight of tinted clouds dancing along the ridge fades into a starry night where I watch constellations, satellites and a shooting star. A chilly but slumbrous night follows. Sunrise is spent on the ridge between the peaks of Mt Yari and Mt Nishi. As the flared sun breaks above the peaks past Mt. Jonen, a distant Mount Fuji glows in an orange midst.
A golden glow envelopes the mountain. By now I feel in a state of grace, as The Spear assumes a mystic essence above me, and I sense in its shadow that for the last twenty four hours I was under a spiritual test. Refreshed, focused, enchanted, humbled and in a clear state of mind, I descend.

Takayama & Shirakawago, Gifu

R and I decided on Takayama and Shirakawago for our long-weekend trip. If there was one thing I got out of it, it was a reminder that the air in Osaka is not so great. The pleasant remoteness of Takayama, and moreso Shirakawago, was made apparent by the six hour journey by train into the mountains in the heart of Gifu, and it was nice to breathe clean air again.

We took a train from Osaka via Nagoya because we didn’t know there was a direct train by way of Maibara that takes only four hours. Oh well. The two hour, twenty minute ride from Nagoya to Takayama went by quickly because of the fine views of the Hida river and the surrounding mountains.

Takayama

Takayama is a small town dubbed “little Kyoto” for its similarities including picturesque canals, temples and old wooden houses from the Edo era. Frankly I find it more appealing than Kyoto. It must be cold in the winter, with high snow banks and wet snowfalls, but a trip there at any time of the year is sure to be rewarding. We arrived on a cloudy day, and it soon began to rain, but that didn’t dampen our spirits. It’s easy to walk around the main part of the town; everything is close to the train station. Particularly appealing is the three or four streets that make up the town’s main attraction: Sanmachi suji, a neighbourhood of old wooden houses dating from the 18th century and earlier, when Takayama thrived as a city of wealthy merchants. In these streets you can find craft shops, tea and coffee shops, sake breweries, old homes, souvenir shops and restaurants.

Sanmachi suji

Other sightseeing spots in Takayama are: Takayama Jinja, a historic government building that used to house visiting officials from Edo; Takayama -shi Kyodo-kan, the local history museum; Hirata kinen-kan, the Folk Art Museum; a number of heritage houses; Hachimangu Shrine; Teramachi, a temple district; and two “morning markets” along the Miyagawa river. Also noteworthy is the surrounding rural area, offering a glimpse into rural Japan.

Since it was a public holiday, the national flag was displayed on many houses.

The Local History Museum: well worth a visit

Shirakawago

From Takayama, Shirakawago is two hours away by bus. It is famous for its giant, thatched-roof houses and was made a World Heritage Site in 1995. I didn’t know anything about the place, but became very interested in the way the massive houses were constructed and maintained. Called “gasho-zukuri” because their steep, thatched roofs look like praying hands, they are characterized by a multi-storey attic that was used to raise silkworms.

Gasho style houses are made entirely of wood and grass, with the first floor being built by professional carpenters while the roof is built by villagers who band together in a co-operative, or labour-sharing union. The roofing is done by 100-200 villagers, young and old, and takes one full day. They used to be replaced every 40-50 years, but due to changes in materials re-roofing is done approximately every 30 years now. Pampas grass, which is grown locally, is currently used for the thatched roofs. In the past, kariyasu was preferred since it was easier to grow.

Structurally, gasho houses are very sound, with carefully selected timber used for the house’s frame. The roof and the first floor are actually separate, so when a strong wind blows, the bottom part of the triangular roof frame moves and disperses the force. The roof frame itself is made with tightly woven branches of the mansaku tree, making the roof flexible.

You can mill about the town and visit some of it’s more famous gahso houses to see what they look like inside. Some of them have restaurants serving the local specialty of buckwheat noodles, while others have been made into craftshops and souvenirs stores.

View from the hill overlooking Shirakawago

Photographically, Shirakawago is very interesting. There is a small hill to the north of the town from which there is a wonderful view. On the southern side there are terraced rice fields. If you look at the town map, which is availalble at the tourist information centre, there are some pointers for taking great pictures from certain vantage points.

Heritage Museum

I highly recommend the Heritage Museum, a collection of two dozen gahso style houses that were relocated and rebuilt in this open-air museum at the entrance of the town, just opposite the bus station. Each Gasho house bears the name of the family that once owned it, and one can get a real sense of how people used to live. Many of these houses were relocated here because the construction of the nearby dam on the Sho river forced many communities to be abandoned. Other houses, particularly from a village called Kazura, were moved here after the town’s aging residents decided on an exodus because life in the mountains during the harsh winters had become too difficult. Indeed, if you spend some time in the detailed galleries (located in the attics of some of the houses), you can get a real sense of the unique lifestyle –and hardships — that characterized the Japan alps in the early 20th century and earlier.

Southern part of Shirakawago

Shirakawago is one of those rare destinations that has a totally different face depending on the season in which you visit. R and I arrived shortly before the rice harvest. The rice fields were full and yellow. Spring and summer must also be special, for the cherry blossoms in April and the rice planting in June. Of course the mounds of snow in winter have their charm, too.

Our trip to the heart of Gifu was very rewarding. Takayama is a nice little town, great for a weekend escape from your standard Japanese metropolis, while Shirakawago was a picturesque, educational, and photographic getaway like none other I had visited in Japan. Best of all, there was much-needed clean air throughout.

added 26 Sept.:
For more pictures of Takayama and Shirakawago, visit my photo galleries at www.an-fi.com:

Takayama pictures:
http://www.an-fi.com/photo/v16/Takayama/index.html

Shirakawago pictures:
http://www.an-fi.com/photo/v16/Shirakawago/index.html